Style
Monochrome fashion
Stark black and white, like a lookbook: an oversized high-contrast serif cropped at the edges, wide margins, hairline rules and a single red.
See it live
Example: autumn collection page of a small label of tailored coats for Halvane, a fictional brand made up for this explorer. Switch the width to see the style on a phone, a tablet and a desktop screen.
Autumn and winter collection · Four coats
AutumnCoats cut close, long and quiet.
Halvane makes a few coats a year, in black, chalk and graphite, and keeps making them until they are right. This is the autumn collection.
Book a fittingThe looks
- Look
- 01
- Garment
- The long overcoat
- Cloth
- Double-faced wool, ink black
- Notes
- Cut to the calf, one hidden button, a collar that stands up on its own.
- Price
- £780
- Look
- 02
- Garment
- The short reefer
- Cloth
- Melton wool, chalk
- Notes
- Hip length, six horn buttons, pockets set low and deep enough for a book.
- Price
- £540
- Look
- 03
- Garment
- The wrap coat
- Cloth
- Brushed wool and cashmere, graphite
- Notes
- No buttons at all: a wide belt and a shawl collar that folds over twice.
- Price
- £890
- Look
- 04
- Garment
- The field jacket
- Cloth
- Waxed cotton, black
- Notes
- Four pockets, a storm flap and a lining you can lift out when spring comes.
- Price
- £460
The cloth
- Double-faced wool620 g per metreTwo cloths woven as one, so the coat needs no lining
- Melton wool540 g per metreFelted until the weave disappears; wind does not get through
- Wool and cashmere480 g per metreBrushed on the face for a soft, matte surface
- Waxed cotton310 g per metreProofed by hand; it darkens and creases with every winter
Fittings
Made to be worn for twenty winters.
Every coat is fitted twice in the workroom and altered by the hand that cut it. Bring the coat back any autumn and we will press, mend and re-line it.
Ask for an appointmentCopy the idea
Take the style with you as a brief for a person, as instructions for an AI assistant, or as design tokens. It describes the idea and the rules — never the example's code.
The recipe
When to use it and the principles behind it. The palette, type, spacing and the do's and don'ts are drawn below; the brief you copy carries all ten sections.
Use it when
- Clothing labels, collections and seasonal lookbooks
- Studios, galleries and shops that sell a few considered things
- Launch pages where one bold statement matters more than detail
Avoid it when
- The page carries long reading text, tables or many options
- The brand should feel warm, cosy or playful
- The audience needs bright colour to find its way
Principles
- Black and white do almost all the work; one red is the only colour
- A huge high-contrast serif, cropped by the edge of the page, is the picture
- Wide margins and very few words per screen
- Hairline rules in black divide the page, never boxes or shadows
- Full-width black panels carry light type, the way a lookbook turns to a dark page
- Small spaced capitals in a plain sans label every look
Imagery and motion
- Imagery: Strong flat shapes rather than busy pictures: garment silhouettes, solid cloth swatches or black-and-white photography with hard light.
- Motion: Almost none: a slow fade as a look comes into view, and nothing at all for reduced motion.
Palette
- Paper whitebackground
#f6f5f2 - Black panel (light type on it)surface
#111111 - Ink blacktext
#111111 - Graphitemuted
#595959 - Signal redaccent
#b00d24 - Hairlineborder
#111111
Text on background: 17.32:1 — passes AA
Type
The quick brown fox jumps over the lazy dog
Set very large at weight 500, with the italic 500 for a single accent word; let it crop at the edge
The quick brown fox jumps over the lazy dog
The quick brown fox jumps over the lazy dog
Short body copy at 400; labels at 500 in spaced capitals, never under 12 px
- 176pxThe quick brown fox jumps over the lazy dog
- 112pxThe quick brown fox jumps over the lazy dog
- 56pxThe quick brown fox jumps over the lazy dog
- 28pxThe quick brown fox jumps over the lazy dog
- 18pxThe quick brown fox jumps over the lazy dog
- 15pxThe quick brown fox jumps over the lazy dog
- 12pxThe quick brown fox jumps over the lazy dog
Spacing and shape
- 8px
- 16px
- 32px
- 64px
- 128px
- 192px
Wide outer margins and long pauses between looks; the empty paper is part of the design.
- 0px
- Borders
- 1 px hairlines in ink black
- Shadows
- None; the page is flat paper and flat black
Do and don't
Do
- Let one oversized word run off the edge of the page
- Put light type on the black panels, never dark text or red
- Use red for one thing only: a link, a rule or the price
- Number the looks and label them in small spaced capitals
Don't
- No second colour beside the red
- No rounded corners, cards or drop shadows
- No long paragraphs; say it in a line
- No red text on the black panels, where it is too dim to read
Similar styles
The styles closest to this one in mood, density, era, warmth and accent colour.
- Art decoThe glamour of the 1920s: symmetry, fans and sunbursts, tall elegant type and gold on cream and black.See the style
- Frosted glassFrosted, translucent panels float over soft colour fields; thin light borders and gentle depth show what sits on what.See the style
- Dark luxuryQuiet expense: a deep dark ground, a refined serif, thin gold lines, slow fades and very little on screen.See the style